It is by the famous intellectual star Slavoj Zizek that parallax is the observed difference, displacement of object. The parallax [Greek: parallassein = shift] is the minimal shift in object in contrary to nano-difference in space and time of the gazing subjects. It connotes the partial blindness, the intentional and deviant swap of gaze with or without the affirmative of a unique subjectivity.
The philosophical twist ….. is not simply “subjective” due to the fact that the same object which exist “out there” is seen from two different stances or point of view. (Parallax View 17)
It seems that the Lacanian gaze is radically twisted like a mobius stripe and there is no 
longer a verification of the very subjectivity of the Subject, or what exist is simply but the pluralistic twist of subjectivity. If there is more than a subject or the subject itself presupposes a close approximation that could be an apparent resemblance, a friend of politics, a dialectics of twins, the nano-difference between the twos could be the impossible of distance which can only be understood as a dialectics in topological twist.
Lacanian subject presupposes a subjectivity within the clinical field of psychoanalysis which Zizek may not agree with. The intrasubjectivity within our clinical experience is unlikely a reference for us to understand Zizek: it may connote that social reflectivity within the clinical session may become equivocal as it comes to contextual and worldly environs. The pluralist twist from a clinical subject to consolidated subjects radicalizes and opens up what could be the impossible volition, violation toward a dialectical revision of Lacan’s prima. The parallax view assumes the view from partial blindness, intentional acceptance of the partial truth. It is not unusual among the Chinese, especially from those with authority or extreme authority, making approval, justification, testimonial, licensing, validation with one eye opens and one eye closes. There is parallax shift only when we act with one eye opens and one eye closes. The shift itself is preoccupied with ideological blindness that is known and accepted among the members of the environs. The Hitchcock’s Psycho (1960) has a famous scene of spying over a tiny holes. It is not usual among man who enjoys the jouissance of spying over woman that one see with same eye all the time. The parallax view will never be an access to jouissance as jouissance itself comes mainly from a unique pleasure of an imaginary unique of one’s desire. The gaze itself may never be a parallax gaze.
The gaze can also be prohibited, not to go into parallax stance, if one has search “Analia Hounie” in google picture, one will find it really difficult for one to have a gaze of our Zizekian Idol.
Sachara Lacanian Psychoanalysis 